20141204

Anna Barlow



A ceramics artist 

“The beauty of food left to melt and ooze holds a fascination for me.
 It is something that is usually over looked and temporary 
but this can be captured and frozen in time with clay and glaze.
 I have focused on ice cream as
 it is such a momentary and yet memorable treat 
that most of us have experienced
 and therefore can evoke memories of sensations and tastes,
 as well as prompt a fantasy of desired indulgences. 
I am firstly inspired by the materials I use.
 I find that clay, porcelain and glaze 
have so many wonderful possibilities 
and often translate well to represent food.” 


"I love the idea that ice-cream only lasts for seconds but once its fired, 
ceramic is permanent unless you break it."


“With ice-cream,
 the best time is just before you eat it,
 but by the end of it
 you’re all ‘oh gosh, I don’t need the rest'. 
Consumerism is momentary, 
but also fun.”


“I find it fascinating how some people dislike my sculptures,
 usually because they don’t prize food in their own lives,” she says.
 "Children in particular tend to understand it more, which makes sense.”


click here to her website





20141203

Kirsi Enkovaara


  

A furniture designer/born in Helsinki, Finland/now lives in East London

The Body-seat/2014

"I find the beauty of this product being 
when the simple form
 turns into various complicated configurations 
as a result of human interaction" 

My designs border on real and imagination. 
They usually answer the question What If? 
What if we could sit as we like? 
What if every object we own could be decomposable?
 What if we could create our own objects? 
I like people to be able to have a conversation with my designs, 
whether it be through interaction or the association that it brings.
 I love soft furniture 
and everything to do with colour, patterns and textures. 


click here to see more





20141117

Khalil Joseph




Directed by Khalil Joseph

a LA-based filmmaker

His work can be watched on http://vimeo.com/whatmattersmost

20140926

Gareth Pugh SS2015





" The handwork, the ceremonial aspects, the playful and sometimes outlandish practices, and the unnerving notion of an outsider society, all deeply resonate with me " explains Pugh.

20140916

Giles Deacon "Design Disrupted" Spring Summer 2015



Advertising Agency: Team One, California
Creative Directors: Ryan Didonato, Andrew Smart
Media Director: Kirsten Atkinson 
Associate Media Director: Shelley Cartland
PR Director: Meg Seiler
PR Management Supervisor: Daphne Dobbs
PR Supervisor: Kat Kirsch
National Research and Partnership Manager: Lissy Galton
Assistant Account Executive: Channel Smith 
Production Company: Legs Media, New York
Executive Producer/ Founder: Adam Joseph
Executive Producer: Tom Berendsen
Director: Radical Friend
Creative Directors: Andrew Thomas Huang, Radical Friend
Producer: Jonathan Lia
Line Producer: Carrie Bornstein
Production Supervisor: Alli Maxwell
Choreographer: Ryan Heffington
Music Composition: HEALTH
Designer: Giles Deacon
Make-Up: Kabuki
Graphic Elements: Logan Seaman
VFX: Dorian Orange
Video Production: BootLegs
Lighting: Stanton Collective
Motion Graphics, Set Design and Visual Systems: Obscura Digital
Holographic Display: Musion
Video Editor: Nuno Xico and Bennett Barbakow


20140801

Alexander Calder


(July 22, 1898 – November 11, 1976)
An American artist and sculptor



" Why must art be static? "

" Just as one can compose colors, or forms, so one can compose motions. "

" The simplest forms in the universe are the sphere and the circle. I represent them by disks and then I vary them... spheres of different sizes, densities, colours and volumes, floating in space, traversing clouds, sprays of water, currents of air, viscosities and odours – of the greatest variety and disparity. "

" My whole theory about art is the disparity that exists between form, masses and movement. "


" The underlying sense of form in my work has been the system of the Universe, or part thereof...What I mean is that the idea of detached bodies floating in space, of different sizes and densities, perhaps of different colors and temperatures, and surrounded and interlarded with wisps of gaseous condition, and some at rest, while others move in peculiar manners, seems to me the ideal source of form. "




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