Delaney allen

" WE TEND TO 

IDENTIFY OURSELVES 

THROUGH OTHERS. 

I AM HER SON, 

THEIR FRIEND, 

HIS GIRLFRIEND...

BUT 

HOW DO WE 

FIND OURSELVES

 WHEN WE ARE ALONE? "

沒有身邊的一切

你的價值是什麼

你又是誰

"Self Portraits" 

is a series of photographs by artist Delaney Allen

He never reveals his face, 

but prefers to camouflage it 

using different fabrics and various objects.

Myoung Ho Lee

An artist from South Korea

In his series of photography, 

there are some unusual questions about 

representation, reality, art, environment and seeing. 

In this "Tree series" collection, 

he makes us look at a tree in its natural surroundings,

but separates the tree artificially from nature 

by presenting it on an immense white ground,

as one would see a painting or photograph on a billboard.

He separates subjects from their original circumstances

to derange the difference between subject and image.

It reveals nature by twists and turns, a little fabrication and optical illusion.

Bertil Nilsson

Born in Sweden. Living and working in London, U.K.

In my work,

which takes inspiration from movement and the human form,

I collaborate extensively with dancers and circus artist. 

Photography is my primary medium of expression, 

but I also use moving image.

www.bertil.co.uk/ 

這就是人體與力量的美

不需用文字解釋的感動

Finite and infinite games

James P. Carse, 
the writer of Finite and Infinite Games, suggests:

There are at least two kinds of games.

One could be called finite, the other infinite.

The finite game is played for the purpose of winning,

an infinite game for the purpose of continuing the play,

...and bringing as many persons as possible into the play.

Finite players play within boundaries;

infinite players play with boundaries.

Finite & Infinite Games,

An interdisciplinary dance film,
is a collaborative art project between a choreographer, 

filmmaker, visual artist, and fashion designer. 

is a celebration of unity and color. 

It draws inspiration from philosopher James P. Carse's 
"Finite and Infinite Games: A Vision of Life as Play and Possibility."

The suite of nine dances, 
directed and choreographed by Katherine Helen Fisher,

seek to explore the individual's quest to find purpose in life 

through creation within community. 

Visual artist C. Finley created 
the 48'x12' non-repetitive geometric painted canvas
 as a comparative replication of the dance.

 Costumes by fashion designer Gai Mattiolo. 

Film by RJ Muna. Edited by Sam Chase.

The film was filmed at Judson Memorial Church in 2010,

a spectacular space with an illustrious collaborative arts history.